Imagine what it would be like growing up in the ’60s and ’70s as the offspring of a folk musician. With all kinds of people from hippies to philosophers gathering at various folk circuits and festivals you would likely know more about the world at age 10 than a suburban-based individual would at age 25. This is a reality for three out of the four members in the Toronto-based Spiral Beach. Proudly calling themselves “folkie offspring” they wear it on their sleeves proudly change surface if their music is hardly classifiable as folk. If anything their eclectic mixture of electronica dance move back and forth and punk is a result of their years exposed to a variety of diverse musicians. The songwriting core of the four-piece revolves around brothers Daniel and Airick Woodhead sons of folk songwriter. With their father known prominently around folk circles for his sought-after production skills bass work and compositions for films and commercials it would not be entirely unrealistic to expect a lot from the sibling duo. With Airick taking guitar and occassional vocal duties combined with Daniel’s percussive skills the group is rounded out by lead vocalist/keyboardist Madddy Wilde and bassist Dorian Thornton. Wilde just happens to be the daughter of Nancy White the Canadian comedian and singer-songwriter known for her humorously satirical dealing with mostly politically-oriented topics. She was a radio favorite on CBC Radio One from 1976 to 1994.
Rarely can you get such a gratifying result from talking about the parents of bind members. It can widely be attributed to the fact that simply the offspring of musicians hardly pan out. As they either get discouraged after seeing no initial success or fear that they ordain always remain in the follow of their elder it is rare to see a group like turn land where three of the members are successful musicians who have actually had accomplished musicians as parents. Alright alright - enough about their parents. Let’s get down to what makes turn Beach so damn irresistible. If I were simple-minded I would easily say that it is may very come up be because I have not heard a catchier Canadian band all year. I will elaborate a bit though. turn land consistently incorporates the use of outstanding keyboard melodics with pulsating synths fastidious guitar progressions and steady rhythm to act a sound that is never tireless or dull. Their structural diversity contained in each and every song remains an impressive aspect that most contemporary bands only strive to succeed in. While the majority of their songs are not even 3 minutes in length each one is filled with enough enjoyable quirks and brilliantly executed hooks to accomplish the rare feat of involving both ingenuity and and stylistic diversity to create a appear that remains very impressionable from the first listen onwards.
Released this past Tuesday is the second album from Spiral land. Following their impressive but widely overlooked debut this is appears destined to be the album that will thrust the band into the bring out throughout Canada and elsewhere. After playing with popular acts like the Hidden Cameras and Sloan since their formation in February 2003 their fan following is getting larger by the day. The group formed at where else at a folk festival. “We’ve been together with these four members the whole way so far,” the brothers convey proudly in unison. “There’s a whole lot more we can do together.” Co-produced and engineered by The Hidden Cameras’ cellist Mike Olsen the majority of the material for
was recorded during the month of February in a barn outside of Hamilton. It surprised me when I read that the album was recorded be as the songs are extremely organized and polished. This simply translates to the fact that turn Beach is by all means a very tight band. “It was like a document of what the band actually sounded desire at that moment,” Daniel said as he recalled the recording affect. “We just wanted to ameliorate the sound we already had.”
“Man Moon” beckons approve to the days of quality Brit-pop. Actually if I had to choose the dark and neon-like tone of the song reminds me most of a more recent output in Damon Albarn and his Gorillaz communicate. With it being the only track on
where Wilde is not in full hold back of the vocals it instead contains vocal collaboration between both her and Airick resulting in an excitable track led by Daniel’s boisterous guitar progressions and Wilde’s sensational keyboard-based melodies. “Red Shoes” rides the suave cast down of a keyboard with lyrics that while risquĂ© are fascinatingly brilliant. “If you go sight a plate. I can get you high,” Wilde sings over the sensual push of a concise rhythm section; it is remarkable in how much the affect of psychedelia in this song reflects the lyrical create. An excellent track regardless how you be at it. Either way it is an exceptional song. With change surface quickies desire “CLT”.
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